As an artist who embraces the duality of the world, I equally cherish my analytical and creative halves. I find myself just as at home within ancient folk legends as I do within contemporary scientific theories. This duality defines my artistic self-expression, which naturally splits into distinct, yet harmonious, creative practices.
One side of my practice is born from my Fracti - decorative 3D fractal mobiles that exist as multidimensional, kinetic sculptures speaking to the absolute unity of the cosmos. They are spaces where colors collaborate with materials to resolve into repeating geometric structures, revealing a secret within the Chaos of the Universe - the hidden order seen by the attentive mind. When I am working on each new Fractus (or Cosmopuzzle, as I sometimes call them), my focus holds on generalizing the whole system and unifying every iteration around the core principle: As Above, So Below.
The second side of my practice is a passion for monochrome graphics - ink drawings, linocut prints, and posters that celebrate the joy of self-realization. Here, instead of unifying, I isolate. I capture individual objects that arrest my attention: a discarded running shoe or a mysteriously shadowed door on a neighbor’s porch. Just as a single leaf tells the story of the tree’s grand magnificence, the everyday objects I feature reflect a world where everything possesses inherent value. I do not find excitement in randomly splashing chaotic colors across a canvas; instead, I observe the craftsmanship of nature hidden in in everyday life of Chaos, and I make these details visible through the lenses of my pictures. On the stage of my page, individual objects become Heroes. I rarely surround them with clutter, choosing only to mark the subtle shapes that hint at their place and scale. They stand alone, telling their own extraordinary stories, revealing that on any scale everything is beautiful, important, and worthy of being seen. This deep observation is where my true emotional flow originates.
While my 3D fractal mobiles allow me to map the grand design of the universe and my drawings grant me the joy of witnessing things in their individual perfection, my videography gives me the power to capture life in motion, development, and resolution. In my documentary-style studies, my characters are surrounded - unlike in my graphic works - by circumstance, event, and obstacle. These video stories trace how an individual Hero navigates through general Chaos, holding firmly to their central Attractor: their own creative self-realization.